Sehemu Kumi Na Moja Za Sankofa (Eleven Parts of Sankofa) – Manyoya ya Sankofa (Feathers of Sankofa)
- By kwende ukaidi
- •
- 11 Oct, 2020
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Go Back and Fetch

The Creator Supreme is the bringer forth of all life and phenomena in the
sacred universe. The marvellous Afrikan souls have always been deeply knowing
of this. As such this primary and spirit people have used their genius flow in
their divinely ascribed role as principal caretakers in the world. The
self-governing ones of natural and righteous order. It is therefore, crucial
that Afrikan people eternally know who they are and their central role in the
sacred universe. Not only is this important for the rightful and continual flow
of Afrikan ascendancy but also for righteous to prevail on earth. The
Sankofa bird is powerful representation of the living eternal Afrikan continuum
of past, present and future referred to as history. Sankofa means, ‘go back and
fetch it’. It is represented as the mythical bird with its head turned
backwards holding an egg in its beak. It is also represented as a heart shaped
symbol with curling design. Both images are deeply meaningful. The following
are the eleven aspects or parts of Sankofa depicted in its bird likeness as
organically synthesised and articulated by this author with Kiswahili
identifiers. The Kiswahili word for parts is Sehemu. The Kishwahili phrase for
eleven is Kumi na Moja:
The fourth part of the Sehemu Kumi Na Moja Za Sankofa is the Manyoya ya Sankofa (Feathers of Sankofa) - These represent the totality of Afrikan souls throughout the world and the responsibility each has to reveal to themselves the truth of their own experience to inform life’s expression and to restore and maintain righteous order upon earth.
The oneness of Afrikan souls throughout the world steeped in the Ukweli (Truth) of themselves is what the feathers of Sankofa represent. The natural divine purity of truthfulness symbolised by the feather has been with the Afrikan since the most ancient of times and the powerful body of Sankofa’s feathers reflects the truth of a whole people. Through Ukweli Afrikan souls can bring into fullest manifestation the powerful living knowingness of themselves and (at the same time) know the reality of others that mean the Afrikan ill. The process of engagement with the Afrikan history represented by Sankofa as a whole yields the Ukweli in order for Afrikans to continually rise. To ensure the continual and victorious rise the Afrikan must also know of the alien that seeks to destroy the ascent and safeguard their eternal passage. Manyoya ya Sankofa is a living symbol of oneness of that which is right and true for the imperative ascent of this global people. As the Sankofa bird’s feathers stick together on the metaphysical plain so too do the Afrikan souls of the world throughout each generational lifespan in thrust of liberty and nationhood.
Sankofa depicted as the curly heart-shaped symbol simply summarises all of the parts. In addition, it emphasises the heart of Afrikan self love Moyo wa Sankofa (Heart of Sankofa). Like the Ibis of Djehuti from the Ancient Nile Valley Sankofa is deified living articulation. When the Ibis sleeps it tucks its head into its feathers and its body forms the shape of a heart. The Sanfofa heart shaped symbol becomes self-love in the study articulation, reclamation, restoration and living of Afrikan history as the Afrikan soul continues to climb on the imperative path of global Afrikan ascendancy.
In this time of foreign enemy disruptions of genocidal disorder, the spiritual and cultural process of Sankofa is vital and urgent. As ever greater numbers of Afrikan souls recognise and restore their spiritual and cultural fabric history becomes more than simply intellectual stimuli from the important learning processes that must be in place. It is divine beingness elevated onto the plain of knowingness for Afrikan maximum potential and capability to be achieved. During the wonderful observance of Afrikan Historia Msimu the powerful Sankofa bird is an elevated essential of the period that continues its journey of uplift and empowerment of the Afrikan soul all year round.
Afrikan Historia Msimu is an observance period for the duration of the tenth month of the year (so-called October). This is a special time for learning, growth and development of the Afrikan experience in the world. It is a time of spiritual and cultural elevation as Afrikan history is restored to fabric of life in the living knowingness of the then, the now and tomorrow. Great ones of the Afrikan journey are highlighted and the symbols relevant to the time invigorate life in the imperative onward flow of global Afrikan ascendancy. This wonderful observance is a part of the cultural calendar of the Universal Royal Afrikan Nation (URAN).
The Universal Royal Afrikan Nation (URAN) is an Afrikan-centred spiritual and cultural mission for ascendancy that embodies living spiritually and culturally rooted life. To find out more about URAN and its spiritual-cultural mission for liberty and nationhood click here. The exquisite URAN pendant can be obtained online by clicking here.
In his capacity as an Afrikan-centred spiritual cultural practitioner this author is available for further learning in this regard and also for the carrying out of ceremonies such as naming and name reclamation. For details please click here.
Afrikan World Studies programmes are important forms of study in understanding the Afrikan experience. There are a range of subjects covered on these programmes including History, Creative Production, Psychology and Religion. To find out more about these learning programmes please click here. For the video promo for these learning programmes click here.
At nominal cost, also consider acquisition of an a4 laminate poster of articulations by this author when visiting the Yemanja institution to enrol, consult, learn, gather or otherwise.
Also, visit www.u-ran.org for links to Afrikan liberation Love radio programme on Universal Royal Afrikan Radio online.