Shared Culture of Oneness- Here, There and Elsewhere: What of Authentic Cultural Product?

Creative production has naturally been of superlative quality as a norm for Afrikan souls throughout the ages. Indeed, creative production is this soul people’s cultural product in that their output naturally reflects their experiences and services their fullest flourishing and ascension this way or that. For authentic Afrikan cultural product to even exist authentic Afrikan cultural substance (creatively restored or otherwise) is naturally core in Afrikan life.

Unfortunately, in a state of interruption and disruption, where Afrikan souls may be destructively set upon by others that mean the Afrikan ill, authentic Afrikan culture and its outwardly produced cultural product can suffer immensely. Disorder compounded with the ills of pseudo-identity, pseudo-cultural fabric and the like may be intensely pushed and peddled by others of ill. Of course, if susceptible to consumption of such contaminants, the Afrikan may produce and promote product of ill by proxy to the detriment of self.

According to a contemporary mainstream source, the term cultural products attracts the following description:

“According to more spread definition, cultural products are goods and services that include the arts (performing arts, visual arts, architecture), heritage conservation (museums, galleries, libraries), the cultural industries (written media, broadcasting, film, recording), and festivals”.

Additionally, another mainstream source offers the following relevant detail:

“Cultural artifacts are objects created by humans that reflect specific cultural moments or practices. These items can be tangible, like sculptures, paintings, or tools, or intangible, such as songs or stories. They provide insights into a culture's values, beliefs, and societal norms”.

In order to bring focus specifically upon the Afrikan experience, combining and adapting the sourced details is considered apt. In so doing, something that looks like the following may be the result:

“Authentic Afrikan cultural product are the self-determined goods and services that include the arts (performing arts, visual arts, architecture), heritage conservation (museums, galleries, libraries), the cultural industries (written media, broadcasting, film, recording) and festivals that are expressed from authentic Afrikan cultural substance (creatively restored or otherwise) that service fullest Afrikan flourishing and security. Authentic Afrikan cultural products can be tangible, like sculptures, paintings or tools, or intangible, such as songs or stories. They provide Afrikan souls here, there and elsewhere vehicles to of sharing inspiration, information and other forms of empowerment based upon their shared core and authentic cultural values, beliefs and norms of oneness”.

Fortunately, Afrikan souls have – through exceptional effort of creative restoration – brought to the fore authentic shared cultural fabric of oneness with the Nguzo Saba and the cultural observance of Kwanzaa from which it comes. With this, Afrikan souls here, there and elsewhere have a cultural vehicle from which authentic cultural products of Afrikan ascension can be established. Being the primary people of creation, the Afrikan experience is immense and richly endowed with glorious achievement and includes much by way of lessons that can apply in the now and time to come (from the extensive mainstay norm of optimality to the short-lived and temporary periods of any imposed disruptions). Here, it could be argued that the ultimate authentic cultural product of the Afrikan is civilisation itself. Whatever the case is for continual upright Afrikan progression, it is a certainty that civilisation and other cultural products of ascension are not of happenstance.  

Kwanzaa is one of the essential cultural observances of life within the Universal Royal Afrikan Nation. The Universal Royal Afrikan Nation (URAN) is an Afrikan-centred spiritual and cultural mission for ascendancy that embodies living spiritually and culturally rooted life. To find out more about URAN and its spiritual-cultural mission for liberty and nationhood click here. The exquisite URAN pendant can be obtained online by clicking here.

In his capacity as an Afrikan-centred spiritual cultural practitioner this author is available for further learning in this regard and also for the carrying out of ceremonies such as naming and name reclamation. For details please click here.

Afrikan World Studies programmes are an important forms of study in understanding the Afrikan experience. There are a range of subjects covered on these programmes including History, Creative Production, Psychology and Religion. To find out more about these learning programmes please click here. For the video promo for these learning programmes click here.

Also, in the approach to the important cultural observance of Kwanzaa, the text: From Pert-En-Min to Kwanzaa - A Kuumba (Creative) Restoration of Sacred First Fruits by this author is available to purchase online here. This publication provides informative detail on the of the Kwanzaa celebration. You can also visit the institution of Yemanja -O to pick up a copy.

At nominal cost, also consider acquisition of an a4 laminate poster of articulations by this author when visiting the Yemanja-O establishment to enrol, consult, learn, gather or otherwise