Afrikans Organise

Afrikan people are both central to and a microcosm of the sacred universe. The universe is divinely organised to yield the abundance of natural beauty, powerful energy flow and phenomenal expression. So too it is with the Afrikan, endowed with the most beauty of humanity, unparalleled in ethereal acumen and flow as the spirit people of the world and the most genius-filled, creatively expressive people the world has ever known. At the individual level the, the Afrikan soul is comprised of at least nine parts organised to make the divine person whole. At the collective level, that Afrikan has extended the order of self to organise the most magnificent and longest lasting civilisations ever to exist. The Afrikan is an organ of an organ of an organ and so on. To the Afrikan organisation is a natural essential organic arrangement ascribed by the Creator supreme.    

Also key to Afrikan life is liberty. Liberty is the sanctuary to be in all that being Afrikan is. Expressed from the core essence of this phenomenal people liberty is the sacredness of being naturally ascribed to the spirit people who if disrupted will never permanently be contained in subservience to others. And if disrupted will incessantly rise to maximal freedom and eternally preserve that liberty and vow never again to succumb to the will of any other people.

Since the earliest of times Afrikan people have organised themselves in a natural state of liberty. Free to be self-determining, free to be self-governing and free to be their divine selves these tremendous people have expressed magnificence in the totality of life’s unfolding unlike any other.  Unfortunately, with the emergence of more historically recent peoples, less developed and desperate because of environmental and other deficiencies invasion and other disruptions have become an ugly reality as these foreigners unleash their parasitic agendas. In recent centuries the genocidal and enslaving scourge of the Maafa (Great disaster) has blighted the Earth with the most horrific disruption to disgrace the annals of history. Anti-Afrikan forces plundered, raped, kidnapped, tortured the Afrikan to leave gaping wounds of destruction.

The anti-Afrikan forces have continued to unleash parasitic damage with the deployment of operations sometimes more covert in nature. Afrikans are mis-engineered outside of their own spiritual and cultural way of life and imposed upon with diabolical pseudo-cultural forms that can grotesquely utilise the Afrikan as agents in self-destruction. The varying institutions of hostile environment solicit the Afrikan to suppress him or herself in the guise of survival.

Suppression can then be turned into the fabricated zone of false stability and pseudo-comfort that emerge as illusionary often consumeristic trappings of the plantation become the norm. As Afrikans continue to be coerced into a denial their natural selves, the behaviours that perpetuate subservience and other ills proliferate. A vicious concoction wherein the spirit people are (by default) compelled to engage in a range of survival strategies in order to exist under the barrage of enemy impositions. However, survival implies short range coping activity. Beyond mere survival the Afrikan must ascend to maximum potential and maximum capability. Adherence or commitment then to any mission working for Afrikan ascendancy may seem strange to those coerced into viewing a plantation existence as the norm. As a result, the mere notion of ascendancy can be met with alien induced feelings of reservation ‘that’s not for me’, ‘that’s extreme’, that’s radical’, ‘that’s strict’. In actuality of course these and other such pronouncements become misapplied in reference to forthright efforts for Afrikan freedom. Appropriately, words such as extreme, radical, brutal, forceful, strict or genocidal fall short as descriptors for the diabolical terror metered out by anti-Afrikan forces. The debris conditions and pressures spiritually, culturally, physically, psychologically, socially, materially and so on faced by the divine Afrikan soul in all of its forms whether couched in the smokescreen of polite ‘politically correct’ statement or not are many. Thus the disruptive impact on the Afrikan world ought to be the concern of every Afrikan and the effort for maximal Afrikan flourishing be a part of life. For this organisation is key, this is not a statement of fashion.

Considering engineered self-suppression and other ills a question comes to the fore. Is the process of ‘selective evolution’ being applied to Afrikan people? A process that can be seen in the emergence of the domesticated dog which has been developed from a natural wolf form. Here, through generational breeding and genocidal practices the continuance of the so-called master’s desired behaviours are promoted (whilst at the same time) the unwanted naturally ascribed expressions of this particular animal group are bred out.

Clearly, the genocide on Afrikan people continues with multitudes of innocent souls being slaughtered. Episode after episode of brutality and murder of Afrikan people generation after generation at the hands of Afrikan-slaying terrorists. The visual evidence of these worse than heinous atrocities have been made increasingly available through ‘new media’ forms. The reality of the chattel plantation system was the evil attempt to decimate the humanity of Afrikan people and reduce them to the level of a domesticated animal for the most barbaric forms of use, abuse and killing. In this time, the attempt to render the Afrikan as less than him or herself for the benefit of ill-meaning others continues. This is compounded with the false, psychotic enemy notion that the Afrikan is a lowly animal – chattel. The results certainly attest to this as the murderous blood thirsty brutes proceed as would be the case for the massacring hunt of an ‘open season’. Whether you happen to be young, more senior in years, male or female, world famous or not, for Afrikan people the carnage inflicted to destroy sacred life is real. Even in a recent dramatized film biopic of a famous Afrikan jazz musician in the US a foreign record producer describes the artist with intent using the line, ‘he’s probably worth more dead than alive now huh’.

The mission to lift Afrikan people in liberty and towards nationhood must be brought to fruition through their own awakening and effort to rise. Organised efforts for the freedom of the Afrikan is simply a righteous imperative. The self-determined climb out of the muck and mire of degradation is the clear path towards realisation of the true Afrikan self and victory. From time immemorial organisation is a natural part of life. Logically, given the continuum of the Maafa, unless the Afrikan organises for the benefit of him and herself, they will be organised for the benefit of others that mean them ill. Surely then choice in this regard is redundant hence the great and mighty hero Marcus Garvey made it clear almost a century ago, ‘Organise Now or Perish!!!!’

The Universal Royal Afrikan Nation (URAN) is a progressive spiritual-cultural mission for Afrikan ascendency where the effort for Afrikan liberty and nationhood is organised fabric of life. Nurturing and development at the core spiritual and cultural levels of Afrikan life means that the work of URAN is core progressively transformative work to those within the fold. To find out more about this important organ click here. An exquisite symbol of this wonderful organ is the URAN pendant which is available to purchase online – click here.  

In his capacity as an Afrikan-centred spiritual-cultural practitioner this author can provide further insights for learning and facilitate Afrikan ceremony for naming, name reclamations and so on. For details click here.

For further information on the study of the Afrikan world experience click here.

Afrikan people for the longest time have harnessed the power of their music to express circumstance of life. The tradition of the blues was born out of this genius-filled crucible and permeates the authentic forms of rooted rap popular in more contemporary times. In ‘throw-back’ motion to ‘throw forward’ (Sankofa) the musical piece composed by this author and performed by Kujenga entitled We Know Where We Stand is essentially a blues form expressive of a reality check for reflection and projection in the spirit way that only music can convey and where the written word falls short. Click here to listen.

Using the Afrikan unification language of Kiswahili - Mungu Moja ! Lengo Moja ! Dira Moja! Click here for details.