Creative Expression and the Afrikan History Continuum

The superlative wisdom-guiding example of the deities of self-determined upright expression such as Djehuti and Orunmila energise the Afrikan to lift themselves with upright creative expression. From the most ancient of times Afrikan souls have utilised creative expression for the ascension of their pinnacle civilisations of excellence. Creative thought, creative writings, creative design, creative technologies and so on have all been areas of pioneering thrust for this primary people of creation. Another, vital area of creative expression for this soul people of the world is the creative expression of music. Naturally, this is another powerful and vital vehicle of upright life expression for the Afrikan. This profoundly meaningful means of communication brought into being by this first people of the world, is of deep spiritual enriching substance as a natural norm in the self-determined life as has been magnificently etched throughout the Afrikan history continuum. Indeed, music for Afrikan souls and their history continuum is a magnificent natural spiritual soundscape that can be of great upright empowerment throughout the various levels of the self then, now and tomorrow.

Unfortunately, the alien forces of anti-Afrikan agency have sought to destroy, derail or skew the natural progress and self-empowering substance of Afrikan creative expression including the powerful conduit of music. Yet, it is only Afrikan souls themselves that can restore self-knowingness and recover their vehicles of upright expression.

Even a popular mainstream source describes music as:

“vocal or instrumental sounds (or both) combined in such a way as to produce beauty of form, harmony, and expression of emotion”.

Surely, then ugliness of form is a construct of non-music or pseudo-music. The degradation, the destruction, abject unknowingness and attempts to sever the soul people of the world from their continuum is ugliness (ugly being far too polite a descriptor at that). If then, there is a manufactured alien construct to push and peddle such ugliness amongst Afrikan souls it is anathema to the natural norm of the Afrikan natural spiritual soundscape that is music and is anathema to the Afrikan history continuum. Only Afrikan souls themselves can restore a level of self-knowingness and reconnect with their history continuum and not succumb to and participate in such self-destructive folly. Only Afrikan souls can safeguard themselves throughout the generations of such ills. Only Afrikan souls themselves can produce their natural norm of beautiful and upright music of ascension in form and in substance.

Of course, alien contaminant ills of destruction are many and can appear in a variety of ways. For example, the contaminant ills of misandry, misogyny, feminism and the thrust for a gynocracy can be peddled directly by alien forces themselves or by proxy through susceptible Afrikan souls steeped in unknowingness of themselves. As such, genuinely unworkable relations such as a necessarily dissolved former male-female union ought to be treated accordingly. Also, whether in the guise of professionalism, curricula or elsewhere seemingly plausible approaches can mask sinister intent when orchestrating hands are consumed with such contaminants of ill:

“See what we need is a little more this”, or, “What we need is a little more that” or “Let’s just put a little more emphasis on this”, or “Let’s put just a little less emphasis on that” or, “Show a bit more of this”, or, “Show a little less of that”, or, “Say a little more of this”, or, “Say a little less of that”.

The would-be norm of the Afrikan masculine man or the would-be norm of the Afrikan feminine woman, steeped in unknowingness can be readily accessible fodder to be misused, abused and discarded in the perpetuation of deeds against themselves and their own kind at the will of alien forces of ill. Meanwhile, the Afrikan attempts to provide the best service to those same foreign forces.

Naturally, music is a phenomenal vehicle of Afrikan spiritual excellence. It matters not the style of wholesome expression. In modern speak, it could be any of the genres, classical, blues, jazz, folk, reggae, rock, soul, funk, rap and on and on. This pioneering soul people of the world ushered music into being and wherever they are in the world (on the continent of Afrika itself, in the Americas, in the Islands, in Europe or elsewhere) continue to unfold their natural genius in the creative expression of rhythm, rhyme and otherwise.

Surely, then this people have a duty and responsibility to themselves to restore their own self-knowingness in celebration of their history and in reconnection to their history continuum throughout the levels of the self:

the person self (whether as an Afrikan masculine man or an Afrikan feminine woman)

the harmonious and complementary Afrikan male-female union

the Afrikan family

the Afrikan community

the Afrikan nation

the Afrikan world community

Afrikan Historia Msimu is an observance period for the duration of the tenth month of the year (so-called October). This is a special time for learning, growth and development of the Afrikan experience in the world. It is a time of spiritual and cultural elevation as Afrikan history is restored to fabric of life in the living knowingness of the then, the now and tomorrow. Great ones of the Afrikan journey are highlighted and the symbols relevant to the time invigorate life in the imperative onward flow of global Afrikan ascendancy. This wonderful observance is a part of the cultural calendar of the Universal Royal Afrikan Nation (URAN).

The Universal Royal Afrikan Nation (URAN) is an Afrikan-centred spiritual and cultural mission for ascendancy that embodies living spiritually and culturally rooted life. To find out more about URAN and its spiritual-cultural mission for liberty and nationhood click here. The exquisite URAN pendant can be obtained online by clicking here.

In his capacity as an Afrikan-centred spiritual cultural practitioner this author is available for further learning in this regard and also for the carrying out of ceremonies such as naming and name reclamation. For details please click here.

Afrikan World Studies programmes are important forms of study in understanding the Afrikan experience. There are a range of subjects covered on these programmes including History, Creative Production, Psychology and Religion. To find out more about these learning programmes please click here. For the video promo for these learning programmes click here.

At nominal cost, also consider acquisition of an a4 laminate poster of articulations by this author when visiting the Yemanja-O establishment to enrol, consult, learn, gather or otherwise.

Also, visit www.u-ran.org for links to Afrikan liberation Love radio programme on Universal Royal Afrikan Radio online.