What of Creativity Economics?

As the souls that emerged at the dawning of humanity, by the grace of the Creator Supreme Afrikan people came forth with abundant creative genius flow. Throughout the various spheres of life expression their creativity abounded with such levels of brilliancy that later onlookers could merely gasp in awe of the superlative uniqueness. From this soul people’s exceptional creative genius pinnacle civilisation was ultimately moulded into its grandness of being with tremendous physical presence of unmatched longevity.  Yet, creative flow was not only applied to phenomena readily accessible by sight. This people creatively cultivated their way of life of rightful order to service their norm of ascension. An important part of cultivated life being the thriving of a self-economy. Here, amongst other necessary upright uses creative production held economic value and function.

In the contemporary period the term creative economics has been used to describe creative activity in respect of its economic function. According a mainstream source the term is described as:

“those sectors which specialise in the use of creative talent for commercial purposes”.

For Afrikan souls in a time of interruption and disruption, how is their creative talent utilised? Indeed, a more probing question might be: Who does the creative talent of Afrikan souls serve? Certainly, subject to the ‘economies’ of others there is much peddled to shoehorn souls into exclusive service of those other ‘economies’ whilst efforts are made to keep souls on the periphery of economic functioning or worse. Further, if steeped in disorder of an ill-manufactured pseudo-culture emanating from the same realm as other ‘economy’ functioning, then the content of creative expression itself can become grotesquely distorted, negative and even self-destructive.    

Though there is challenge, it is only Afrikan souls themselves that can restore the necessary levels of self-knowingness, cultured living that naturally underpins their upright creative production and its use.  In order for creative production to rightfully be of some service to the Afrikan self-economy norm, the cultural fabric in which self-economy functioning resides must exist as well as the functioning itself.

Creativity is both required for people cultivation and is also an expression of that cultivation. Here, creative restoration of cultured living is key. Self-economy is a part of the creative restoration process as cultured living as a whole is its natural residence.  Naturally, the outward expressions of creative production will reflect upright values and be of service to self-economy thriving and ascension of rightful order.

There is no miraculous fantasy wand to waive that instantly brings the highly civilised norm of the primary and spirit people of creation into being. Of course, creativity used to express fictional fantasy has its useful place. However, life’s pragmatic engagement for rightful construction is of upright self-determined thrust. Each soul can certainly utilise their creative genius flow and make a rightful contributory step of progress for ascension – however large or small. At the same time, safeguarding the self from contaminants of ill and self-destructive wrongdoings is also key.

Afrikan souls throughout the ages have proven time and again that they are a powerhouse of creativity. Surely, this primary and spirit people of creation can channel their gifts of brilliancy into the betterment of themselves and the creative reconstruction of their highly civilised norm. Pinnacle civilisation had to have been purposefully created then. Agelessly, this truism of realising civilisation stands in the now and the tomorrows to come.  

The Universal Royal Afrikan Nation (URAN) is an Afrikan-centred spiritual and cultural mission for ascendancy that embodies living spiritually and culturally rooted life. To find out more about URAN and its spiritual-cultural mission for liberty and nationhood click here. The exquisite URAN pendant can be obtained online by clicking here.

In his capacity as an Afrikan-centred spiritual cultural practitioner this author is available for further learning in this regard and also for the carrying out of ceremonies such as naming and name reclamation. For details please click here.

Afrikan World Studies programmes are an important forms of study in understanding the Afrikan experience. There are a range of subjects covered on these programmes including History, Creative Production, Psychology and Religion. To find out more about these learning programmes please click here.

Select resources are highlighted online via the website  of Yemanja-O .

At nominal cost, also consider acquisition of an a4 laminate poster of articulations by this author when visiting the Yemanja-O establishment to enrol, consult, learn, gather or otherwise.